Thanks to my friend Miranda, I was inspired to try sewing a La Passacaglia rosette a few months back, and stitched it using the EPP (English Paper Piecing) method. It took some real time to get it done. I really liked how it came out and wanted to make another, but felt there had to be a better, faster way.
I had the *oh-so-original* idea of tracing the stitch lines from a template on the back of fabric and using a running stitch and no paper pieces – this worked really well. The only two negatives were:
- The running stitch doesn’t seem as strong as a whipstitch.
- Tracing the shape and cutting took almost as much time as EPP method.
After some research, I found out that many people use the running stitch, and if you’re really good, sewing the 1/4″ Y-seams comes naturally. For the rest of us, we need to draw in those stitch lines to know where to sew and where to stop for the corner of the Y-seam – and that is some seriously tedious work. So then, I had the idea of screen printing those shapes with cut and stitch lines on the back of solid fabrics to see if I could cut some time.
While we have a screen printing business, there is still some time and cost involved to create a print. After I design something on the computer, I send the final to a camera-house that outputs a piece of film-positive (opposite of a negative) that we can use to ‘shoot’ a screen. Once we have a piece of film-positive, we lay that onto a screen that has been coated with photo-sensitive emulsion and shine a light on it to ‘burn the screen’. The light hardens all the exposed emulsion, leaving the part under the opaque black of the film to stay soft, and after washing it out with water, there is a hole or ‘open’ part of the screen where we can push ink through and onto the fabric. read more
Since screen printing is quite a process, I wanted to make use of the time spent.
Then Fabric Depot ran a sale on Kona solids for $5/yard and I knew it was time to try this crazy plan.
I purchased 3/4 of a yard of fabric in 21 different colors – one of the biggest fabric purchases I’ve ever made… so it’s a little scary not knowing how this will all work out!
My husband printed 4 different layouts for me, using as much of the fabric as possible in printing, while leaving good cut lines. I appreciate him taking the 2 days in set up and printing time to print for me… he likes my idea and has always been completely supportive! The part I wasn’t planning on was the cutting. I’ve been cutting fabric pieces for 2 weeks on and off. I can only cut for an hour or two at a time without hurting my wrists. I honestly did not think that the cutting would take so long… but I’m close to having all the pieces from all 21 fabric colors cut and ready to sew!
I have a few patterns, and my idea was of a kaleidoscope – so the colors are bright and contrasting. I started with the La Passacaglia layout, but wanted to try my own layout. I think I have enough pieces to do a full sized quilt and still have some left over! I even have an idea of possibly selling these pieces in kits for smaller projects so people can try hand-stitching for a small project. I’ve been playing with a decagon layout that would make an awesome pillow cover – here are 3 versions: